Thursday, February 25, 2016

Dylan tabulature PDF

Dear Dylan fans,

I have been playing Dylan songs on guitar for a number of years, and have learned a very good many of them. I have found that the best way to enjoy Dylan's catalogue is to sing it. For any new or old Dylan fans that have embarked on this same path, I have decided to share here, a finely curated collection of Dylan guitar TABs that I have culled from various sources on the internet (many come from here and re-organised into one (far from comprehensive) PDF file, which can be easily loaded onto an iPad. There is a table of contents so you can skip to any song of interest. Wherever possible I have tried to fit all the lyrics and the whole song on one or two pages for convenience, while keeping the font size as big as possible. Also, for many songs I have used BOLD and highlights to accentuate certain features of the songs, such as choruses or first lines of each verse. Also, for many songs I include where I place the CAPO on my guitar, and the key of harmonica that I play, however I have no idea if this is the same as the "official" key of the song. The collection is rather random and reflects my interest in learning as many Dylan songs as possible, especially the less mainstream ones, including many songs that he covers. Some songs are not here because I already know them by heart, while others are missing because I had no desire to learn them. They are mostly in alphabetical order, with the exceptions that, songs that I play in DADFAD tuning are grouped at the beginning, and many songs from the album "Love and Theft" (many of which have some unusual jazzy chords) are grouped together at the end.


Monday, May 18, 2015

Bob Dylan Themed Open Mic - May 24th - Emmett Ray - Toronto

I will be hosting a Bob Dylan themed open mic jam at the Emmett Ray whiskey bar in Toronto on May the 24th to celebrate Bob's 74th birthday this year.

I will be playing a few Dylan cover versions and then opening the stage up to the audience.
Please come down and bring an instrument if you would like to partake.

Sign-up starts at 7:30. Open mic runs from 8-11pm.

The Emmett Ray
924 College Street

Friday, November 14, 2014

Rock nostalgia ain't what it used to be

After many years of following Dylan and going to see him every time he plays Toronto I have come to an important watershed. I am getting older and I am not in touch with the living and breathing music scene. I recently looked at the “just announced” section for concerts in NOW magazine and noticed that I haven’t heard of a single band. My need for new music recently prompted me to randomly pick up an album called “Salad Days” by Mac Demarco, after listening to it on headphones at HMV. I liked the sound. It was unique and cool, and every track on the album was good. I started getting into it, watched a bunch of videos on youtube and then went to the show at the NXNE festival last June.  The show was fantastic. It had an energy and humour, an edginess and unpredictability that is not typical of any of the aging classic rock bands that have canalized their way into our collective pop culture psyches. His stage presence is different from many of the bands that we take for granted as fixtures in the music industry establishment. It exists. As a rising young artist, he is driven and he shows gratitude and generosity to his audience. By comparison, the kind of gratitude that I have seen from many of the successful major label artists, such as Tom Petty or Dave Grohl seems feigned. No matter how big their heads and egos have become, it is impossible for their level of gratitude to possibly reflect the degree of accolades that they have received from their herds of blind minions. They seem to be going through the motions. In Bob’s case he seems to hover on the stage like a god, untouchable and out of touch with his fans. There even seems to be a sense of disdain. I don’t blame him. After sixty years of having to maintain a public persona as a living legend some ennui must set in, and yet there is no pretense. His stage presence is an honest mask. Are birds free from the chains of the skyway?

I’m not saying that the aging bands don’t put on a good show, however they tend to rely on audience nostalgia and big light shows instead of the capacity for direct communication of the human spirit. Last week I went to see Mac Demarco again at the Danforth Music Hall. It was a raucous and energetic performance. Complete with copious drug and alcohol consumption, crowd surfing and other unruly behaviours. The following link demonstrates some of his outrageous offstage antics. Mac Demarco - Crowd surfing. As the encore they played a twenty minute version of the Top Gun Anthem on three electric guitars and a synth, that was the musical equivalent of a Mark Rothko painting, and had most of the audience baffled. Epic. It was a very young crowd, mostly kids barely out of high school. I realized that music is still percolating the way it was when I was in high school with bands like Nirvana, The Smashing Pumpkins, Weezer, etc.. There are up and coming bands now, some of whom will go on to enjoy legendary status and to define THIS generation. These are the Led Zeppelins, the David Bowies of now. I have resolved to discover some of these bands, who are just now peaking, brimming with youthful and rebellious energy, just like the Rolling Stones, Jimi Hendrix or the Doors were in their time.

I think it is a shame that many young and talented artists are relatively unnoticed, while large stadium tours for geriatric rock bands are selling out. The problem is, we can’t go back and see The Beatles or Pink Floyd in their heyday, so we go see Paul McCartney or Roger Waters out of a desire for the next best thing, nostalgia. I find myself wanting to see Leonard Cohen or Gordon Lightfoot just so that I can say I saw them before they died. Don’t get me wrong these guys are still good, and Dylan is the prime example of a geriatric case that is ironically still in his prime. But it’s not a scene anymore. I’ve been to so many Dylan shows and I refuse to admit to myself that it’s not doing for me what it once did. It’s become a habit. I do think Dylan might have another big shake-up in reserve, like his late nineties comeback, which he will spring upon us when we finally give up all hope that it might happen. This could be as simple as him coming out and playing a few solo acoustic songs (oh how our expectations have lagged). In the meantime there are acts out now that are making history and breaking new boundaries in real time, and people in the over twenty set are not in the cognoscenti. Besides we’re too busy trying to relive our youth. Ask the most rebellious 17 year old punk kid you can find for the names of the most important current bands, and he’ll probably try to throw you off the scent. If a bunch of old timers started showing up at these shows whatever scene there is would soon dry up anyhow. Truthfully, I’m just assuming there are other great new young artists out there and I am just beginning my search. But for now I can say for certain that Mac DeMarco puts on an unpredictable, slightly unsettling performance that could serve to awaken some of us from our fossilized state. Mac Demarco’s newest album is shortlisted for the 2014 Polaris Music Prize.

Mac Demarco - Pepperoni playboy